Description

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In the fall of 1942, only the city of Stalingrad stood between Soviet survival and defeat as Hitler’s army ran rampant. With the fate of the USSR hanging in the balance, Soviet propaganda chiefs sent their finest writers into the heat of battle. After six months of terrifying work, these men succeeded in creating an enduring epic of Stalingrad. Their harrowing tales of valour and heroism offered hope for millions of readers. “Stalingrad lives!” went the rallying cry: the city had to live if the nation was to stave off defeat. In Stalingrad Lives Ian Garner brings together a selection of short stories written at and after the battle. They reveal, for the first time in English, the real Russian narrative of Stalingrad – an epic story of death, martyrdom, resurrection, and utopian beginnings. Following the authors into the hellish world of Stalingrad, Garner traces how tragedy was written as triumph. He uncovers how, dealing with loss and destruction on an unimaginable scale, Soviet readers and writers embraced the story of martyred Stalingrad, embedding it into the Russian psyche for decades to come. Featuring lost work by Vasily Grossman alongside texts by luminaries such as Konstantin Simonov, Viktor Nekrasov, and Ilya Ehrenburg, Stalingrad Lives offers a literary perspective on the Soviet Union at war.

About the Author

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Ian Garner is a cultural historian and translator in Kingston, Ontario.

Praise For…

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“A long-overdue study of what is probably the most important body of war correspondence ever written.” Robert Chandler, translator of Vasily Grossman's Stalingrad and Life and Fate

“This thoroughly-researched volume brings to life an era when journalism – in its particular Russian literary form – really was the first draft of history. Soviet victory at Stalingrad changed the course of the Second World War, and consequently the course of European and world history. Ian Garner’s impressive achievement here is to combine commentary and context with lively translation. It is extremely timely at a moment when journalism – not least in Russia – once again finds itself on the frontline.” James Rodgers, City, University of London, and author of Assignment Moscow: Reporting on Russia from Lenin to Putin