Description

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This is the first monograph-length work intended to enable readers with a humanities background and the general public to understand what the processes and techniques of film restoration do and do not involve, attempting to integrate systematically a discussion about related technological and cultural issues.

About the Author

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Leo Enticknap is Lecturer in Cinema at the Institute of Communications Studies at the University of Leeds, UK. Formerly a projectionist and film archive curator, his research focuses principally on archival film preservation and restoration, moving image technologies more generally and British non-fiction film before 1950.

Praise For…

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To come