Description

---

Winner, 2023 Eisner Award for Best Comics-Related Book

Resurrection: Comics in Post-Soviet Russia traces the “kopecks to rubles” journey of Russian comics at the turn of the century. As the follow-up to José Alaniz’s groundbreaking Komiks: Comic Art in Russia (2010), Resurrection authoritatively and exhaustively details the Russian comic landscape of the last three decades: beginning after the 1991 fall of the Soviet Union and encompassing the fourth Putin administration, the COVID-19 crisis, and beyond. Bolstering his analysis with interviews with some of the major figures in Russia’s comics industry, Alaniz particularly focuses on the representation of masculinity, disability, historical trauma, and superheroes, as well as on the recent rise of fandom, alternative micropresses, and nonfiction graphic narrative. Resurrection is a sweeping discussion of the metamorphosis of contemporary Russian comic art from its rebirth to its entry into mainstream culture.

About the Author

---

José Alaniz is Professor in the Departments of Slavic Languages & Literatures and Cinema & Media Studies at the University of Washington, Seattle. He is the author of Komiks: Comic Art in Russia and Death, Disability, and the Superhero: The Silver Age and Beyond.

Praise For…

---

“Alaniz has established himself as not just the leading scholar in Russian comics but also as a luminary in the entire comics field. The vastness of his knowledge and the broad scope of his access to key figures in the Russian comics world is remarkable.” —Eliot Borenstein, author of Overkill: Sex and Violence in Contemporary Russian Popular Culture

"The breadth and depth of Alaniz’s examination of modern Russian comics culture will make Resurrection a valuable resource in classrooms in not only the US but Russia as well, where comics studies are still in their infancy." —Michael F. Scholz, co-editor of The Image of the Baltic

“[Alaniz’s] book is an excellent one for those interested in contemporary Russia, the history of comic books and their place in society, or media studies. It provides an intimate look into a growing community and is a unique contribution to the field. Alaniz’s work is a love letter to comics broadly and the Russian form of the art specifically. His deep regard for his subjects shines throughout the book.” —Benjamin Griffin, H-Net