Description

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Techno-Magism: Media, Mediation, and the Cut of Romanticism explores how British Romantic literature abuts and is organized around both print and non-print media, both the print, pictorial art, and theater of that era as well as communicative technologies invented afterward, including photography, film, video, and digital screens.

About the Author

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Orrin N. C. Wang is Professor of English and Comparative Literature at the University of Maryland, College Park. He is the author of Fantastic Modernity: Dialectical Readings in Romanticism and Theory (Johns Hopkins University Press, 1996) and Romantic Sobriety: Sensation, Revolution, Commodification, History (Johns Hopkins University Press, 2011), which won the 2011 Jean-Pierre Barricelli Prize, and editor of "Frankenstein" in Theory: A Critical Anatomy (Bloomsbury, 2021). He is the General Editor of Romantic Circles and recipient of the 2020 Keats-Shelley Association of America Distinguished Scholar Award.