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Back to topJazz as Critique: Adorno and Black Expression Revisited (Paperback)
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Description
Bringing critical theory to bear on music, this book argues that the jazz form models progressive social relations through its foregrounding of a "communal self," an African-American subjectivity that demands recognition of black humanity and alterity.
About the Author
Fumi Okiji is Assistant Professor of Women, Gender, Sexuality Studies at the University of Massachusetts, Amherst.
