Description

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During the past seven decades, Palestine has been sealed from the Arab world and shattered into fragmented and coded areas: 1948 area, 1967 area, Jerusalem, West Bank, Gaza, and A, B and C areas within the West Bank. Each area is ruled by different laws, including different roads and permits that control the mobility of Palestinians and privilege Jewish settlers.

Driving in Palestine is a research-creation project by acclaimed artist Rehab Nazzal, who explores the visible indices of the politics of mobility that she encountered firsthand while traversing the occupied West Bank between 2010 and 2020. This photography book consists of 160 black and white photographs, hand-drawn maps and critical essays in Arabic and English by Palestinian and Canadian scholars and artists.

The photographs were all captured from moving vehicles on the roads of the West Bank. They focus on Israel's architecture of movement restrictions and surveillance structures that proliferate in the West Bank, including the Apartheid Wall, segregation walls surrounding illegal colonies, gates, fences, watchtowers, roadblocks and military checkpoints among other obstacles to freedom of movement.

About the Author

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Rehab Nazzal is a Palestinian-born multidisciplinary artist based in Toronto. Her work deals with the effects of settler-colonial violence on the bodies and minds of colonized peoples, on the land and on other non-human life. Nazzal's video, photography and sound works have been exhibited in solo and group exhibitions across Canada and internationally. Dr. Nazzal was an assistant professor at Dar Al-Kalima University in Bethlehem and has taught at Simon Fraser University, Western University and Ottawa School of Art. She is the recipient of several awards, including the Social Justice Award from Ryerson University and the Edmund and Isobel Ryan Visual Arts Award in Photography from the University of Ottawa.