Description

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Akashic recruits Danticat, one of the truly great contemporary writers, to edit this timely volume featuring stories set both before and after the devastating 2010 earthquake.

“A wide-ranging collection from the beloved but besieged Caribbean island . . . The 36th entry in Akashic’s Noir series (which ranges from Bronx to Delhi to Twin Cities) is beautifully edited, with a spectrum of voices.” —Kirkus Reviews



“This anthology will give American readers a complex and nuanced portrait of the real Haiti not seen on the evening news and introduce them to some original and wonderful writers.” —Library Journal

Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.



Brand-new stories by: Edwidge Danticat, Rodney Saint-Éloi, Madison Smartt Bell, Gary Victor, M.J. Fievre, Mark Kurlansky, Marvin Victor, Josaphat-Robert Large, Marie Lily Cerat, Yanick Lahens, Louis-Philippe Dalembert, Kettly Mars, Marie Ketsia Theodore-Pharel, Evelyne Trouillot, Katia D. Ulysse, Ibi Aanu Zoboi, Nadine Pinede, and Patrick Sylvain.



From the introduction by Edwidge Danticat:



“I began working on this anthology about a year before January 12, 2010, when Haiti was struck by its worst natural disaster in over two hundred years. The world knows now that more than two hundred thousand people died and over a million lost their homes in Haiti’s capital and the surrounding cities of Léogâne, Petit–Goâve, and Jacmel. As I am writing these words, survivors remain huddled by the thousands in displacement camps, most shielding themselves from intermittent rain with nothing but wooden posts and bedsheets.

"Even before the earthquake, life was not easy in Haiti. There was always the risk of dying from hunger, an infectious disease, a natural disaster, or a crime. But there was also hope, laughter, and boundless creativity. Haitian creativity has always been one of the country’s most identifiable survival traits. Whether expressed in vibrant and colorful paintings, double entendre–filled spiritual or party music, or the poignant, humorous, erotic, lyrical (and yes, also dark) short stories and novels of its writers, Haiti’s more nuanced and complex face often comes across in its arts . . .



"I can honestly say that, in spite of the difficult circumstances in Haiti right now, I have never felt a greater sense of joy working on any collective project than I have on this book.“

About the Author

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EDWIDGE DANTICAT was born in Haiti and moved to the United States when she was twelve. She is the editor of Haiti Noir, Haiti Noir 2: The Classics, and the author of several books, including Breath, Eyes, Memory (an Oprah’s Book Club selection), Krik? Krak! (a National Book Award finalist), The Farming of Bones (an American Book Award winner), and the novel-in-stories The Dew Breaker. She has also written several young adult novels and a travel narrative, After the Dance: A Walk Through Carnival in Jacmel. Her memoir, Brother, I’m Dying, was a 2007 finalist for the National Book Award and a 2007 winner of a National Book Critics Circle Award for autobiography. She is a 2009 recipient of the John D. and Catherine T. MacArthur Foundation grant.

Praise For…

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Danticat has succeeded in assembling a group portrait of Haitian culture and resilience that is cause for celebration.

— Publishers Weekly

A solid contribution to the [Noir] series, especially for its showcasing of a setting not commonly portrayed in crime fiction.
— Booklist

Danticat has put together a collection possessing classic noir elements—crimes and criminals and evil deeds only sometimes punished—but also something else, perhaps uniquely Haitian too.
— Los Angeles Times

The characters that emerge in the anthology are divergent figures, alienated by exile, thriving in the diaspora and devastated by limited choices. Their stories are multi-layered, thrilling and necessary.
— Ms. Magazine

Who can ever judge how important Danticat has been to Americans’ understanding and re-evaluating Haiti’s position and role in the hemisphere? Not just as a novelist and essayist in her own right, but as editor and guiding force behind this collection of short stories and the re-publication and English translation of the Chauvet triptych, the Haitian-born Danticat has brought her country’s literature back into the world of English-speakers. Filled with delights and surprises, Haiti Noir, taken as a whole, provides a profound portrait of the country, from its crises to its triumphs, from the tiny bouks of the countryside to the shanties of the sprawling bidonvilles. Danticat herself has a lovely story in the collection, and permits two distinguished foreign writers on Haiti, Madison Smartt Bell and Mark Kurlansky, to slide in there among all the brilliant Haitians.




— Daily Beast