Description

---

The brilliantly painted ivory boxes from twelfth-century Norman Sicily have long been regarded as some of the most extraordinary artifacts recovered there. Evidence of the rich and multilayered culture, these small but distinctly exotic boxes also demonstrate the Normans’ fascination with Islamic culture and art. Yet despite their undeniable historical importance, the last comprehensive examination of the Sicilian ivories was published in 1939. Siculo-Arabic Ivories and Islamic Painting: 1100–1300 is the first book-length treatment devoted exclusively to the ornate ivory boxes in more than seventy years. Among the many contributors to this volume are Marianne Barrucand, Anthony Cutler, Thomas Dittelbach, Maria Vittoria Fontana, Eva Hoffman, Mat Immerzeel, David Knipp, Martina Müller-Wiener, and Mourad Rammah.

About the Author

---

David Knipp is an art historian and research fellow. He is a recipient of the Hanno and Ilse Hahn Prize for Outstanding Contributions to Italian Art History.

Praise For…

---

“A beautifully edited and fully illustrated publication. . . . This kind of object of material culture can easily fall between the gaps in academic scholarship because it fails to slot neatly into traditional art-historical classifications. . . . David Knipp rightly points out in his introduction that the term 'Siculo-Arabic ivories' is a misleading one. It suggests that this is a straightforward group of painted and gilded ivory containers made in Sicily by Muslim craftsmen. The papers in the volume reveal a much more complicated story.”
— Bulletin of the School of Oriental and African Studies